After weeks of promotion, a 96-hour livestream and an attempt to end some bad blood with Taylor Swift, Katy Perry's "Witness" made its debut atop the U.S. Billboard 200 chart on Monday, the singer's third chart-topping album.
The gossipy morsel dominating conversation over Katy Perry’s Witness on the day of its release is about not Perry but Taylor Swift—as so many gossipy morsels in the contemporary music world are. Swift chose this day, of all days, to finally put her mega-smash 2014 album 1989 on non-Apple streaming services like Spotify. Perry and Swift’s rivalry is legend, and Swift’s move may draw not only publicity but listeners from Perry, threatening Witness’s debut sales numbers.
Ariana Grande returned to the Manchester stage two weeks after a suicide bombing killed 22 victims at her concert in the city, singing upbeat and motivational pop anthems as the audience cheered loudly for the singer.
You’re never too old or too legendary to go through a phase. And Bob Dylan’s current obsession with the Great American Songbook is, a strange phase. With a voice that has seen better days and a Nobel prize-winning talent for writing his own lyrics, he is not the ideal choice for crooner, or Frank Sinatra wannabe.